Paper sigradi2012_264:
Designing in HiFi: Digital Fabrication for Physical Computation

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id sigradi2012_264
authors Smithwick, Daniel; Sass, Lawrence
year 2012
title Designing in HiFi: Digital Fabrication for Physical Computation
source SIGraDi 2012 [Proceedings of the 16th Iberoamerican Congress of Digital Graphics] Brasil - Fortaleza 13-16 November 2012, pp. 622-624
summary Digital sound reproduction is inferior to analog sound reproduction: by definition digitally processed sound is a compressed representation of the original sound signal. Similarly, this paper asks: Are digital computation design tools inferior to analog tools? Is information missing from the digital design ‘signals’? What is analog computation and could new tools be developed that avoid digital compression, and allow designers to more clearly ‘hear’ or experience the act of design? Working within our current digital computation paradigm, we argue designers are underexposed to and even unaware of much of the raw design signal available with analog computation design tools.
keywords digital design computation; Shape Grammar, 3D printing
series sigradi
email djs2@mit.edu
content file.pdf (365,298 bytes)
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last changed 2012/12/13 07:29
 
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